Sunday, November 3, 2024

186 - Download While You Can

 


All comments, questions, and general feedback can be sent to radiobsots@gmail.com.  Record a voice message and send it my way or leave one at the Speakpipe page!

Visit the BSOTS Linktree for all the podcast and social media platforms.

This episode's track list (title / artist / source / license):

1.  Outer Dark by Wizard Of Loneliness [Business Casual] (CC-BY-SA) (2024)

2.  Unfolding by A. Billi Free & Uncle_EL [Eye Mija Productions] (CC-BY-NC-SA) (2020)

3.  Evil by Coldreavers [Trippin' The Rift] (CC-BY-NC-SA) (2011)

4.  Invade Your Soul by Lavoura [Bandcamp] (CC-BY-NC-SA) (2011)

5.  spring by king britt presents scuba [Free Music Archive] (CC-BY-NC-ND) (2008)


Most of my waking moments are spent thinking about music appreciation, sonic curation, and media preservation:  not only as separate concepts, but also regarding how they intersect.  I recently came to the realization that it's awfully strange that I don't talk about these things more often on the show.  And then some strange occurrences in the world of music, podcasting, and online archiving took place over the past month.  Suddenly, I had the perfect excuse to express some observations and concerns about it all while sharing some Creative Commons selections with the listeners.

Spotify removing over 500 podcast episodes from their platform because of music isn't surprising, but the fact that the podsafe episodes weren't spared is what's annoying me to no end (particularly considering that this is happening while they continually devalue music and the artists that create it via payout pittances for single and album streams).  There was also a story about hundreds of thousands of online hip-hop mixtapes disappearing almost overnight without explanation.  If that weren't enough, a recent cyberattack knocked the Internet Archive offline in October, but staff have been providing weekly updates via their blog as services are restored slowly but surely.  (For those that need the Cliff Notes version of what's been going on with the Internet Archive, check out the four-minute clip below from Fireship's YouTube channel.)



Seeing as how the Internet Archive is one of my go-to sources for Creative Commons licensed music, I had to incorporate a handful of CC cuts into the show to help move things along.  "Evil" by Coldreavers is a hidden gem found while digging through the Archive, a brooding piece of downtempo that features a first-hand account from a jilted lover.  Released through the Trippin' The Rift netlabel about 13 years ago, it sounds like it hasn't aged a day (and I really need to find out who's responsible for the vocals on this one).  Meanwhile, "Invade Your Soul" is jazz-infused electronica from São Paulo, Brazil's Lavoura.  The stuttered patterns of the programmed drums have a broken beat feel and I fell hard for this cut right away.  Then there's the infectious pop of "Outer Dark" by Wizard Of Loneliness.  Between the bright organ sounds, the punch of the snare pads, and the hazy vocals, it's a winner right out the gate.  It's just one of many ridiculously catchy tunes being released by the Business Casual label this year and a great example of why I keep coming back to that label to hear more.

The combined forces of producer Uncle El and vocalist A. Billi Free are responsible for "Unfolding," one of those cuts that feels grounded and airborne at the same time.  It's left-leaning hip-hop with a lyrical bend towards peeling back personal layers and allowing for growth and vulnerability.  The show closes out with some ocean floor deep techno courtesy of master curator, producer and professor King Britt.  "Spring" is a song that he recorded under his Scuba moniker for the Philly Time! compilation released on the Unfoundsound netlabel back in 2008.  

This episode represents a slight departure from the usual order of things around these parts, but I feel really good about this one.  It could be the start of a new structure for future episodes.  By all means, please let me know your thoughts on this one and thank you so much for listening.

Theme music by Cy Tru (edited by Macedonia).  ID drops from EJ Flavors and Thad Reid.

Other key info:
BSOTS show #175 - Does Music Belong In Podcasting?
BSOTS show #182 - Life At Camp Lo-Fi:  The First Nine Years
BSOTS on Bondfire Radio broadcast archives
Libsyn's The Feed podcast episode no. 277
Hip-Hop Can Save America - Exclusive: Datpiff Hip-Hop Mixtape Archive Disappears Overnight
2024 Black Podcasting Awards Ceremony
Netwaves

Music by SoulProdMusic from Pixabay

This work is licensed under Attribution-ShareAlike 4.0 International

Wednesday, August 14, 2024

185 - BUCKWILD: The Changing Same

All comments, questions, and general feedback can be sent to radiobsots@gmail.com.  Record a voice message and send it my way or leave one at the Speakpipe page!

Visit the BSOTS Linktree for all the podcast and social media platforms.

This episode's track list (title / artist / source / license):

1.  Kill Sound by Five Fingers Of Funk [Kill Rock Stars] (CC-BY-NC-ND) (2023)

2.  Covfefe's Groove by Tha Silent Partner [blocSonic] (CC-BY-NC-SA) (2019)

3.  Squishing Sniffy, Artists Busted! by The Bran Flakes [Free Music Archive] (CC-BY-NC) (2010)

4.  I AM BLACK HISTORY by Mega Ran [Bandcamp] (2024)

5.  Alien Abduction by DJ Ilya Monosov and the Hedonic Islands [Free Music Archive] (CC-BY-NC-SA) (2009)

6.  Pro Black Crack Dealers by Columbo Black [Bandcamp] (CC-BY-NC-ND) (2022)

7.  G.O.P. by Mikal Amin & Mista Mayday [Bandcamp] (2024)

8.  Classy by 85 [Bandcamp] (CC-BY-NC-SA) (2012)

9.  too much house by leumas [Lost Frog Prod.] (CC-BY-NC-SA) (2024)

10. Ebony Stoned by EllaMaeFlossie [iTunes] (2018)



August of 2024 marks 19 years of Both Sides Of The Surface.  Under the circumstances, it seems appropriate for the podcast to take some time to get "buckwild."  The essential nature of the "buckwild" experience hasn't changed since it was first introduced to Camp Lo-Fi on the show's third anniversary back in 2008.  It's a primal scream for the BSOTS feed whenever it's deemed necessary.  There are occasional outbursts from me, but I tend to let the music do the talking for me on these shows, which is often a mix of cuts for the party people and the politicially minded as well.

For those wondering about the title, The Changing Same is a term that's borrowed directly from the brilliant mind and pen of Amiri Baraka.  He wrote an essay in the late 1960s examining the ways that Black music changed as Black people changed, how we referenced and reinterpreted the old to make it new again:  "the changing same."  My use of that phrase for an episode title is far more simplistic and merely as a reminder that the more things change, the more they remain the same.  Personally speaking, the phrase brings to mind recent developments within the American political landscape over the last few months.

This episode was recorded between mid-June and late July.  Way too much happened within a stateside election year during that period.  While Tha Silent Partner's "Covfefe's Groove" references a nonsensical moment during Trump's term as President, Mikal Amin and Mista Mayday fire lyrical shots at the present day "G.O.P."  In the midst of half of America's hysteria over the very idea of 45 becoming 47, some humor is desperately needed and the "buckwild" experience has some light-hearted tunes on deck, from 85's slick yet silly "Classy" to Columbo's Black one-verse interrogation of "Pro Black Crack Dealers" to some sound collage silliness from The Bran Flakes.  DJ Ilya Monosov takes the experimental hip-hop route with "Alien Abduction," bringing along Dudley Perkins and Georgia Anne Muldrow along for the ride.  Five Fingers Of Funk deliver the live hip-hop vibes to the show on "Kill Sound" while Mega Ran delivers a memorable boom bap ode to Black pro wrestlers with "I AM BLACK HISTORY."  For the bright-colored, hands-in-the-air raver contribution to this episode, look no further than "too much house" by leumas.  And EllaMaeFlossie concludes the "buckwild" experience in grand style with the hard-as-nails womanifesto that is "Ebony Stoned."

Humanity is taxing.  Music is divine.  I simply hope that this episode can bring a smile to your face and maybe even a moment of laughter, no matter how brief.

Other BSOTS episodes referenced include:
Show #176 - BUCKWILD: learn from it...

Theme music by Cy Tru featuring Jonny Sonic.  ID drops from Anji Bee, Mega Ran, Mikal Amin, and Mr. Ivory Snow.

Background music:  "Small Town USA (Instrumental)" by Foul Mouth Jerk and "Plastic Rumblings" by Ezekiel Honig.

This work is licensed under Attribution-ShareAlike 4.0 International

Sunday, June 30, 2024

184 - Jazzy Jeff Among The Copyleft

 


All comments, questions, and general feedback can be sent to radiobsots@gmail.com.  Record a voice message and send it my way or leave one at the Speakpipe page!

Visit the BSOTS Linktree for all the podcast and social media platforms.

 This episode's track list (title / artist / source / license):

1.  Classic (Co-produced by Jazzy Jeff) by Shad + Skratch Bastid [Bandcamp] (CC-BY) (2013)

2.  My Dreams by Ultimate Fantastic [Free Music Archive] (CC-BY-NC-SA) (2017)

3.  Hide by Ohad Slavin [Digital Diamonds] (CC-BY-NC-ND) (2023)

4.  You Are Enough by Niki J Crawford [Jamendo] (CC-BY-NC-ND) (2024)

5.  Ghost Of An Instant by DJ Enki [Bandcamp] (CC-BY-NC) (2023)

6.  Sake Bomb (feat. Jade Gritty & AURC) by Tab [Jamendo] (CC-BY-NC-ND) (2023)

7.  Regal Bounce by Moki McFly [blocSonic] (CC-BY-NC-SA) (2023)


Continuing with the theme of Seven To Consider for any episodes featuring all Creative Commons music just feels right.  Seven songs isn't an overwhelming number of tunes that are likely to be unfamiliar to most listeners.  Hopefully, it's just enough to leave people wanting more.  And as often as possible, I like to include selections that feature recognizable names.  The Shad & Skratch Bastid cut that kicks off the show features a co-production credit from DJ Jazzy Jeff.  Other hip-hop cuts within this episode include the uptempo electronic-enhanced "My Dreams" from Ultimate Fantastic (one could argue that it's slightly hip-house in its approach) and DJ Enki's  "Ghost Of An Instant," which could be a favorite with fans of early work from DJ Shadow and RJD2.

Ohad Slavin's "Hide" is a midtempo hypnotic cut from the Digital Diamonds netlabel that straddles the line betweeen techno and house.  "You Are Enough" by Niki J Crawford is uplifting motivational soul that the world can use right now.  Tab's "Sake Bomb" is one of the highlights of this episode:  a sultry and trippy downtempo song that calls for constant rewinds.  And then there's the drum and bass banger "Regal Bounce" by Moki McFly.  It comes from last year's blocSonic netlabel release Tabernacle Sanctuary Alligator Soufflé, which won the 2024 Creative Commons Community Music Award for Album Of The Year.  If any of these tunes pique your interest about the artists or labels featured within this episode, then my work here is done.

Theme music by Cy Tru (edited by Macedonia).  ID drops from Kahlief Adams and Herb Brooks.

Other BSOTS episodes referenced include:
Show #175:  Does Music Belong In Podcasting?
Show #178 - Creative Commons Gems From Public Enemy And Nikki Giovanni
Show #183 - Life At Camp Lo-Fi:  The Last Nine Years
FLASHBACK:  Both Sides On Bondfire

Other key info:
Bloc Discovery Sessions
Culture War Radio
Netlabel Day
Queue Points

Music by SoulProdMusic from Pixabay

This work is licensed under Attribution-ShareAlike 4.0 International

Saturday, May 4, 2024

FLASHBACK: Both Sides On Bondfire

 


All comments, questions, and general feedback can be sent to radiobsots@gmail.com.  Record a voice message and send it my way or leave one at the Speakpipe page!

Visit the BSOTS Linktree for all the podcast and social media platforms.

This episode's track list:

1.  The Hot 8 Brass Band - "Homies" (2012) [Bandcamp]
2.  DJ EFN - "Paradise (feat. Talib Kweli, Wrekonize & Redman)" (2015) [Bandcamp]
3.  DJ Vadim And Sena - "Work Hard" (2015) [Bandcamp]
4.  Markis Precise - "Back To Life (feat. Eligh)" (2015) [Bandcamp]
5.  Blitz The Ambassador - "JuJu Girl" (2015) [Bandcamp]
6.  Core Rhythm And Zajazza - "Grown Folk Biz (feat. Homeboy Sandman And Eagle Nebula)" (2015)  [Bandcamp]
7.  Romare - "Nina's Charm" (2015) [Bandcamp]
8.  Semi Hendrix - "Jesus Pressed Mute" (2015) [Bandcamp]
9.  Sebastian Paul - "Birth" (2015)
10.  Public Enemy - "Corplantationopoly" (2015) [iTunes]
11.  Benjamin - "Those Memories (Sneak Up On Me)" (2015) [Bandcamp]
12.  NxWorries - "Link Up" (2015) [Bandcamp]
13.  The Greg Foat Group - "The Hunt" (2015) [Bandcamp]
14.  Mbongwana Star - "Malukayi (feat. Konono No. 1)" (2015) [iTunes]

 


(Please note that this is a revisit of an episode that originally premiered on the BSOTS feed in May of 2016.)

For over eight years, Bondfire Radio was my home away from home, a place where I built community with a number of immensely talented people.  It was the place where I learned how to celebrate the successes of others and how to truly be a team player while championing music from unsigned, independent and major label artists as both a broadcaster and a music director.  Being a part of #teamBondfire was everything to me and I was gutted when it was announced that the station's end was unavoidable.  Our last broadcast day was on Saturday, December 30, 2023, and I truly believe that we went out on top.  That entire day was absolutely magical and I'm sure that a number of us involved are still trying to process what it all meant to us as individuals and as a collective.

With my Bondfire broadcast days behind me, I wanted to revisit an earlier episode from 2016.  In an attempt to bring the BSOTS on Bondfire broadcast experience to the podcast feed, I thought it would be wise to share some of the indie cuts that I was playing on the station during my first year.  It's a fun mix of tunes with some special guests along the way that offers an accurate overview of what my early broadcasts were like.  This one's for my Bondfire family and for anyone that never got the chance to hear my broadcasts live while the station was still around.  Best believe that I am #teamBondfire for life!

Black Pioneers In Radio promo produced by Bondfire Radio co-founder Coole High.  ID drops courtesy of Fave, Kahlee, EJ Flavors, Core Rhythm, and Jonny Sonic.

Background music selections include the following:
"Pond" by Lavender Worm
"Vanity (Instrumental)" by BADLUCK.

Other key info:

The Weeksville Project
Both Sides On Bondfire (pt. 2)
BSOTS on Bondfire archives
Macedonia on Mixcloud

Tuesday, March 26, 2024

Life At Camp Lo-Fi: The Last Nine Years

 

All comments, questions, and general feedback can be sent to radiobsots@gmail.com.  Record a voice message and send it my way or leave one at the Speakpipe page!

Visit the BSOTS Linktree for all the podcast and social media platforms.

This episode's track list (title / artist / source / license):

1.  Minor Event by Nangdo [Free Music Archive] (CC-BY-NC-SA) (2010)

2.  Where The Love Is (ft. Dale Novella) by Mikal Amin [Bandcamp] (2019)

3.  Stroll by Exmiranda [Jamendo] (CC-BY-NC) (2018)

4.  Home Is Free by Soul Inscribed [Bandcamp] (2020)

5.  Guaranteed (feat. Ace Hashimoto) by Devin Morrison [Bandcamp] (CC-BY-NC-ND) (2019)

6.  It's Not Fair (Feat. Illspokinn) by Core Rhythm & Zajazza [Bandcamp] (2020)

7.  Socks by Shlohmo [Free Music Archive] (CC-BY-NC-SA) (2009)

8.  INSTANT CLASSIC (Intro) / Tip Jar by CM & Tha Silent Partner [blocSonic] (CC-BY-NC-SA) (2021)

9.  Alright Anyway Ft. Taelor Gray by SHON THA PHENOM [Jamendo] (CC-BY-NC) (2022)


This episode is the second of a two-part series looking back on 18 years of Radio BSOTS.  Truth be told, the second half of the BSOTS life span is largely defined by inconsistency on the podcast feed and finding a regular groove on the broadcast side of the equation due to joining Bondfire Radio in 2015.  Being a part of that radio family felt bigger than BSOTS and I wanted to be a team player.  One might say that I ghosted my own podcast, but I came back to the feed when I felt like I had something to say.  And when I couldn't find the right words, I let the music speak.

The selections included in this episode are all from artists that I've played in the past.  Nangdo and Shlohmo both provide some stellar beat business found on the Free Music Archive.  The moodiness of Shlohmo's "Socks" feels murky and disoriented while "Minor Event" by Nangdo plays around with brighter tones and vocal harmonies.  Over on Jamendo, Canadian artist Exmiranda offers up a hynotic, hip-shaking cut in "Stroll" and Shon Tha Phenom turns the power of positive thinking into the anthmemic "Alright Anyway."  Meanwhile, I used to play Devin Morrison's music on my Bondfire broadcasts years before I found out that his work is released under a Creative Commons license.  "Guaranteed" is warm and soulful and feels like the nervous energy one gets when trying to play it cool around someone that they're attracted to.



It was important for me to represent for the music of Mikal Amin, Mtume Gant, and Baba Israel on this episode.  All three of them spoke to me separately about being a part of Bondfire Radio, but long before that, they were all good friends of mine and artists that I had in mind when starting this podcast.  Their recorded output and live performances rekindled my love for hip-hop at a time when I thought that I was done with it.  CM & Tha Silent Partner represent another shining example of hip-hop that can reaffirm or reestablish one's faith in the genre.  Their blocSonics E.P. remains one of the sonic highlights of the blocSonic netlabel's back catalog.  I still can't get over the fact that a clip from one of my early podcast episodes kicks off their follow-up release, blocSonics 2!

The last nine years have been full of highs and lows for this podcast, but I'm just thankful that it's still here.  Although I take some time to tell my story, the music is still the star of the show and I hope that you find a new favorite artist or song as you listen.

Previous BSOTS episodes mentioned include:
Show #144 - Project: Mooncircle
Show #164 - Cupid Hunt's 2017:  grass ain't greener...
Show #175 - Does Music Belong In Podcasting?
Show #179 - In Conversation With Douglas Whitfield (pt. one)
Show #182 - Life At Camp Lo-Fi:  The First Nine Years

Other key info:
Macedonia on Mixcloud
Black Men Win episode with Jason Smith
Friends Of CC Music episode with Jason Smith
In The Mix With Leah B.
The Bloc Report
The Bugcast
Afros & Audio
Black Podcasters Association

Theme music produced by Cy Tru and edited by Macedonia.  ID drops courtesy of Chyll Will, DarrenKeith, and Morganics.  Background music includes "Infinity 2" by Techniken Defunkus.

Music by SoulProdMusic from Pixabay

This work is licensed under Attribution-ShareAlike 4.0 International

Thursday, December 28, 2023

Bonus Episode: The Power Of The Drop (Queue Points Podcast)

 

All comments, questions, and general feedback can be sent to radiobsots@gmail.com.  Record a voice message and send it my way or leave one at the Speakpipe page!

Visit the BSOTS Linktree for all the podcast and social media platforms.

As lovers of Black music history, Jay Ray and DJ Sir Daniel have made some incredible strides over the past two years with their podcast, Queue Points.  The show has quickly become a mainstay in the Camp Lo-Fi podcast queue.  As a BSOTS feed bonus, I am pleased to share this special episode of Queue Points with you, one where I joined the dynamic duo as a guest in their exploration of trip hop and drum and bass.  Enjoy the show! 

Episode Description

Queue Points - The Power of the Drop: Trip Hop and Drum & Bass Shook The World

There was a rumble coming out of the UK in the early-1990s. With the heavy influence of hip-hop came new styles that changed the way many experienced the music they loved. From the early days of Jungle that birthed Drum and Bass to to Trip Hops genre bending sounds, the crew continues our musical journey to the UK with, guest, Jason Randall Smith of Radio BSOTS.

Follow Queue Points
Facebook: https://facebook.com/queuepointspod
Instagram: https://instagram.com/queuepointspod
Twitter: https://twitter.com/queuepointspod
TikTok: https://tiktok.com/@queuepointspod

Follow DJ Sir Daniel On Social Media
Facebook:  https://facebook.com/djsirdaniel
Instagram : https://instagram.com/djsirdaniel
Twitter:  https://twitter.com/djsirdaniel
Mixcloud:  https://mixcloud.com/thesirdaniel

Follow Jay Ray On Social Media
Facebook:  https://facebook.com/jayrayisthename
Instagram : https://instagram.com/jayrayisthename
Twitter  https://twitter.com/jayrayisthename

Other key info:
Queue Points episode no. 112 - The Transatlantic Connection

BSOTS theme music by Cy Tru (edited by Macedonia).  Background music by SoulProdMusic from Pixabay.

Tuesday, November 14, 2023

BSOTS 182 - Life At Camp Lo-Fi: The First Nine Years

 

All comments, questions, and general feedback can be sent to radiobsots@gmail.com.  Record a voice message and send it my way or leave one at the Speakpipe page!

Visit the BSOTS Linktree for all the podcast and social media platforms.

This episode's track list (title / artist / source / license):

1.  Everybody Stopped Calling Me by Friends Or Whatever [blocSonic] (CC BY-NC-ND 4.0) (2010)

2.  In Matacumbo by Cosmic Analog Ensemble [Upitup] (CC BY-NC-SA 3.0) (2013)

3.  Mango Tree by Chandeliers [Free Music Archive] (CC BY-NC-SA 3.0) (2008)

4.  The Shoreline by Big La Vs. Todd [Bandcamp] (2023)

5.  Datenight by Jonny Sonic [Bandcamp] (2010)

6.  Dance To The Drummer's Beat by Dharma [Netlabel Archive] (CC BY-ND-NC 1.0) (1999)

7.  Misunderstood by Lovespirals [Bandcamp] (2023)

8.  Bag Of Nothingness by Comfort Fit [Free Music Archive] (CC BY-NC 3.0) (2009)

9.  The Force May Be With You by Idmonster [Internet Archive] (CC NY-ND-NC 1.0) (2001)



I haven't worked out just how many generations 18 years covers in the world of podcasting, but it's enough to know that it was a vastly different world in 2005.  A world without as many social media bells and whistles, one where few contemplated how artificial intelligence tools could improve their podcasting workflow or how to create episode teasers in the form of audiograms or Instagram reels.  A lot has changed, but some things remain the same.  For me, nothing matters more than the music that I share on the show.  I never wanted to do anything else in podcasting other than champion independent artists and connect the dots between various musical genres through this medium.  

There's a whole lot of music that has been played on this show over 18 years, and it would be foolish to suggest to you that nine songs could cover even a fraction of that time.  However, some of these songs and artists are reminiscent of specific moments within BSOTS history.  The selections from Lovespirals and Big La Vs. Todd represent my connection to the Music Podcasting Consortium, a like-minded collective of avid music supporters and creators that represents my first online community within the podosphere.  Whether Todd Kelley (a.k.a. The Big La) is curating a music mix or in the lab crafting beats of his own, the head nod factor is always priority number one with him.  "The Shoreline" is a calming instrumental piece and one of my personal favorites from his Kneel Before Todd album.  The music of Lovespirals appeared within the first ten episodes of Radio BSOTS and is one of the first podsafe artists ever played on this show.  Their new single "Misunderstood" is a continuation of the ethereal attributes that make their work so special (and besides that, atmospheric drum and bass is the way to my heart).

Over the years, podsafe music resources faded away one by one, but thankfully the Free Music Archive is still around.  Founded in 2009, I've been virtually crate digging through this website since its beginning stages in beta mode, always finding works that have both intrigued and surprised me.  A cut like "Mango Tree" by Chandeliers brings me right back to those early days of searching for music on the FMA.  This one's a total earworm, marrying lyrics and vocals that lean towards folk with an off-kilter funk groove accentuated by the bass, keys, and rhythm guitar.  "Bag Of Nothingness" is another FMA find, where producer Comfort Fit takes the funk and launches full speed into the future,  creating a hip-hop/electronic beat hybrid that stays crunchy even in milk.  

Prior to the FMA's existence, a universe of netlabels brought me in touch with an endless amount of Creative Commons licensed music.  The blocSonic netlabel would have been the first, and I try to represent for their output as often as possible.  The self-titled album by Friends Or Whatever is one of my all-time favorite blocSonic releases and the shimmering brilliance of "Everybody Stopped Calling Me" is just one of the reasons why.  No Type (no longer active) was another netlabel that I came across soon after blocSonic and I fell hard for their focus on experimental electronic music.  The introspective beauty of "The Force May Be With You" by Idmonster is reminiscent of work from labels like Project Mooncircle, the warm chords occasionally disturbed by slivers of voices, clicks, and digital static.  Upitup Records is more of a recent discovery for me, but the music of Cosmic Analog Ensemble has been played on this show well over a decade ago.  He's a multi-instrumentalist that's capable of creating soulful jazz numbers to sample-heavy hip-hop instrumentals that feel like Madlib during his most leftfield moments.  I cannot stop playing "In Matacumbo" and it would be criminal not to share that cut with you.  The same can be said for "Dance To The Drummer's Beat" by Dharma.  It's impossible to keep still when those breakbeats kick in.  Believe it or not, that cut dates back to 1999, proving that the Creative Commons crates are deep and full of amazing cuts that deserve more exposure.  (Seek and ye shall find.)  It was released on Mono211, a label that stopped releasing music 20 years ago.  Thanks to the efforts of those behind the Netlabel Archive for preserving the works of inactive imprints and ensuring that their output won't be lost forever.

And then there's Jonny Sonic, an artist that ended up becoming the unofficial voice of the BSOTS GONE (buck)WILD episodes.  His music is often punchy and insistent, never forsaking the funk in its approach.  I love the horn section on "Datenight" and how Jonny's voice just seems to cut through his big band that's right behind him.  I've been playing his music since at least 2006 and he's the first artist that I reach for whenever BSOTS needs to blow off some steam.  Should you need some music to bring you back from the brink, here's hoping that the selections within this episode can bring some semblance of peace your way.  

Other key info:
BSOTS 149 - Grooves And Gratitude
BSOTS 151 - BUCKWILD:  The Shouting Match Never Really Ended (pt. one)
BSOTS 152 - BUCKWILD:  The Shouting Match Never Really Ended (pt. two)
Queue Points Show #119 - Exploring The Soundscapes
Julien Smith
Lost In The Sauce
Bloc Discovery Sessions

BSOTS theme music by Cy Tru (edited by Macedonia).  ID drops courtesy of Fave, Kahlief Adams, Aspektz, Jonny Sonic, and Darrenkeith.

Music by SoulProdMusic from Pixabay.

This work is licensed under Attribution-ShareAlike 4.0 International